Film & AV · 2024
One Day in Haiti
A documentary shot in conditions where nothing can be repeated. Field sound from Haiti — streets, markets, people and landscape — and a mix that builds a believable world from it.
Audio sample
Sound you can't re-shoot
A documentary from Haiti means one take per scene: no pick-ups, no room tone on demand, no ideal conditions. Which makes post-production decisive — how much authenticity can be saved and how much of the world can be rebuilt.
The process
Field recordings from the locations form the foundation. Dialogue and testimonies were cleaned in a way that respects the character of the place (remove interference, not life). I layered street and market atmospheres so the viewer stands in the middle of the scene, not behind glass.
The sample is an excerpt from the film's final soundtrack.
My contribution: Field recording processing, dialogue and effects cleanup from real locations, atmospheres, final documentary mix.
